On ‘Un Ballo in Maschera’ by the Royal Opera House.

Last night I saw ‘Un Ballo in Maschera’ in the Royal Opera House. I’ve been waiting for this opera for ages as it was my chance to see Dmitri Hvorostovsky, a Russian baritone who I absolutely adore. My whole family in Russia pretty much worship him and there is a real cult of his personality that I grew up with. Hvorostovsky’s fame is not only due to his amazing opera achievements but also his performances of Russian traditional songs and old war songs. Big live concerts on national television, concerts on the Red Square or any kind of family celebrations – he is there, singing and being admired by the whole nation. Needless to say I was very excited. Immediately he had a very strong presence on stage. There could be no mistake of who he is. Well, this time he was Renato, Riccardo’s advisor and a loyal friend. Well, that is until he murders him (oops, spoilers). In short, I was not disappointed in the slightest and left really happy for having seen a legend live.

As for the opera itself, it was very enjoyable. It follows the standard structure: love that is not to be, friendship that is not to last, hope for happiness, then betrayal and death. That has been a formula for centuries and it works. Here the director Kathrina Thoma has added some extras, such as moving statues. While that was awesome in ‘Blink’, Doctor Who, I didn’t entirely get it there. Other additions didn’t spoil the opera but did not enhance it either.

Overall, I will recommend seeing it. There are a few performances left in January. I bought my ticket for 12 pounds, which lacked a seat. This brings me to my conclusion: a strong cast and wonderful music by Verdi make this opera worth standing for.

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